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但是，如果不乘木筏从内卡河漂流而下，是没有人能够理解、感知、享受这种至高的温柔、平和的美妙的。
木筏的漂流是不可或缺的运动，它柔美、顺滑、流畅、无声；它平息一切狂躁的行为；缓和所有不安的仓促和急躁情绪。
在其宁静的影响下，一切影响情绪的烦恼、悲伤都销声匿迹，变成一个梦，一种魅力，一种深深的、宁静的喜悦。
这与炎热、辛劳的徒步行走，与尘土飞扬、隆隆行驶的火车，还有在炫目的大道上单调颠簸的疲惫马车，形成了怎样的对比啊！
带着不断高涨的愉悦和满足感，我们在郁葱芳香的河岸间静静地滑行。
有的地方，岸边倒垂下的浓密柳枝，覆盖了后面所有的土地；有的地方，河岸一侧是壮丽的山脉，上面植被丰盈，另一侧则是一望无际的平原，开放着鲜艳的罂粟花，或是靛蓝怡人的矢车菊。
我们时而漂流在森林的阴影之下，时而沿着天鹅绒般柔软的草地边缘滑行。
那映入眼帘的草地是那么碧绿清新，灼灼明亮，蕴藏着无限的魅力。
还有那鸟儿——随处可见。
它们频繁地穿梭于两岸之间，鸣起的欢歌不绝于耳。
看日出能让人百般回味且愉悦人心。
太阳冉冉升起，耐心地、温柔地铺上一层又一层光彩，披上一片又一片壮丽，直到一个新的早晨完整地筑就起来。
在木筏上观赏日出，与等候在火车站的候车室中，嚼着干巴巴的三明治，透过窗户眺望破落的小村庄的感觉，有着天壤之别。
&helahatmyagentsas，ourpartyroseperceptiblyieem；werosestillhigherwhehatedestriantourofEurope.
&oldusallabouttheHeidelbergroad，andwhichwerethebestplacestoavoidandwhichthebestoarryat；hechargedmelessthancostforthethingsIbrokei；heputupafinelunforusaaquantityht-greenplums，thepleasainGermany；hewassoanxioustodoushonorthathewouldnotallowustowalkoutofHeilbronn，butcalledupGotzven'shorseanddmadeusride.
Imadeasketchoftheturnout.ItisnotaWork，itisonlywhatartistscalla"study"—athingtomakeafiurefroThissketchhasseveralblemishesinit；forihewagonisnasfastasthehorseis.Thisisersetoutofthewayistoosmall，heisoutofperspective，aswesay.Thetwoupperlihehorse'sback，theyarethereiobeawheelmissing—thiswouldbecorreafinishedWork，ofcourse.Thatthingflyingoutbehindisnotaflag，itisa.Thatupthereisthesun，butIdidn'tgetenoughdista.Idonotremember，now，whatthatthingisthatisinfrontofthemanwh，butIthinkitisahaystaan.ThisstudywasexhibitedintheParisSalonof1879，butdidnottakeaheydonotgivemedalsforstudies.
Wedischargedthecarriageatthebridge.Theriverwasfulloflogs—long，slender，barklesspinelogs—aherailse，ahemeherintorafts.Theseraftseandstrutosuittheessaremeheheywerefromfiftytoonehundredyardslong，andtheygraduallytaperedfromaniheirsterns，tbreadthattheirbow-ends.Themainpartofthesteeriheboole；thethree-logbreadththerefurnishesroomforoeersmalelogsareneraroundthatanaverageyounglady'swaist.Thesoftheseveralsesoftheraftaresladpliant，sothattheraftmaybereadilybentintoanysortofcurverequiredbytheshapeoftheriver.
TheNemanyplaarroersacrossit，ifhehasoisalsosharplysuchplaces，theraftsmanhastodosomeprettyniugpilotiurns.Theriverisnotalwaysallowedtospreadoveritswholebed—whichisasmuchasthirty，aimesfortyyardswide—butissplitintothreeequalbodiesofwater，bystohrowthemaih，ahee.Ihesenarrow-edgeddikesprojectfourorfiveihesurface，liketheergedroof，butinhighwatertheyareoverflowed.AhatfulofrainmakeshighwaterintheNedabasketfulproduoverflow.
TherearedikesabreasttheSchlossHotel，aisviolentlysoiflasscage，watgthelong，narroalhthetralel，grazi-bankdikeandaimingcarefullyforthemiddlearchofthestebelow；Iwatchedtheminthisway，andlostallthistimehopihemhitthebridge-pieraselfsometimeorother，butointed.Onewassmashedthere，butIhadjuststeppedintomyroomamomenttolightapipe，soIlostit.
WhileIwaslookingdowhatminHeilbronn，thedaredevilspiritofadventurecamesuddenlyuponme，andIsaidtomyrades：
"IamgoingtoHeidelbergonaraft.Willyouvehme？"
Theirfacespaledalittle，buttheyassehasgoodagraceastheycould.Harriswaocablehismhtithisdutytodothat，ashewasallshehadinthisworld—so，whileheattehis，Iwentdowaahewithahearty"Ahoy，shipmate！
"whichputusupoermsatondweentereduponbusiness.IsaidweedestriantourtoHeidelberg，andwouldliketotakepassagewithhiIsaidthispartlythroughyoungZ，whospokeGermanveryartlythroughMr.Xwhospokeitpeculiarly.IderstandGermahemaniaveItalkitbestthroughaer.
&ainhitcheduphistrousers，thenshiftedhisquidthoughtfully.Presentlyhesaidjusteghewouldsay—thathehaders，andthereforewasafraidthelawwouldbeafterhimiergotorahappened.SoIcharteredtheraftaookalltheresponsibilitiesonmyself.
Witharattlingsoarboardwatttotheirworkahecableshottheane，andourbarkmovedoffwithastatelystride，andsoonwasbowlingalongatabouttwoknotsanhour.
roupedamidships.Atfirstthetalkwasalittlegloomy，andranmainlyuponessoflife，theuyofit，theperilswhichbesetit，andtheneedandwisdomofbeingalaredfortheworst；thisshadedoffintolow-voicedreferehedahedeep，aers；butasthegrayeastbegahemysterioussolemnityahedawothejoy-sohetalktookacheeriertone，andaeadily.
Germany，inthesummer，istheperfeofthebeautiful，butnobodyhasuood，andrealized，amostpossibilitiesofthissoftayunlesshehasvoyageddowntheNearaft.Themotionofaraftistheion；itisgentle，andgliding，andsmooth，aallfeverishactivities，itsoothestosleepallnervoushurryandimpatiesrestfulihetroublesaionsandsorrowsthatharassthemindvanishaway，aenesadream，acharm，adeepandtraasy.Howittrastsiririanism，anddustyanddeafeningrailroadrush，andtediousjoltiiredh
&slippilyalohegreenandfragrantbanks，withasenseofpleasureahatgrew，ahetime.Sometimesthebankswerewiththickmassesofhollyhidthegroundbehiimeswehadnoblehillsononehand，clotheddehfoliagetotheirtops，aherhandopenlevelsblazingwithpoppies，ortherichblueoftheetimeswedriftedintheshadowofforests，aimesalongthemarginoflochesofvelvetygrass，freshandgreenandbright，atirelesscharmtotheeye.Aheywereeverywhere；theysweptbadforthacrosstherivertly，andtheirjubilantmusieverstilled.
Itandsatisfyioseethesuhenewm，andgradually，patiently，lovingly，clotheitonwithsplendoraftersplendllory，tillthemiraplete.Howdifferentisthismarvelobservedfromaraft，fromwhatitiswhehroughthedingywindowsofarailway-statiochedvillagewhilehemurifiedsandwidwaitsforthetrain.
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